By Juan Sanchez


What's the true nature of digital photography? Many of us have been asking this query for a long time. In reality when folk ask the question about the true nature of digital photography, they often mean to ask if it is art or it is science. When you are using a camera like the Leica M9 and after reading my Leica M9 Review it becomes an even harder question to resolve since the Leica brings back a lot of manual photography memories with a digital field.

These are some debates for both sides:

A) Many individuals consider digital photography as a skill because it makes allowance for an expression of emotion. They believe that digital photography is a carrying on of the art of drawing or painting.

You see, digital photography is like painting in the sense that while it does take correct footage of fact, it also allows for some alteration thru the varied digital tools available now.

Even without the editing many individuals still believe that digital photography is art due to the fact that it does take an artist's eye to find a great object of digital photography. The character of digital photography as an art has something to do with the undeniable fact that an artist can express feelings and statements through visual subjects.

The supporters of the "artistic nature of digital photography" also disagree their case by stating its capability to convey emotional messages through aesthetics.

The great thing about each photograph, naturally, wants also to be credited to the person taking the pictures. One of the strongest arguments for the inventive nature of digital photography is the proven fact that the picture is rarely really what is seen with the naked eye. Through the camera and PC, a person can alter the image in order to present what he or she wants to show.

B) Science: some of the people argue that science is the true nature of digital photography. One argument is that photography, unlike painting, actually comes from something existing and not from a painters mind or emotion. This may be awfully persuasive since, indeed, a cameraman does not essentially make photographs. She or he just takes them.

Another argument concerning the scientific nature of digital photography is the fact that the revising that folks do and corrections that photographers make are based on a collection of steps that may be chopped down scientifically. People who disagree for the systematic nature of digital photography may reason the same series of steps can be taken so as to achieve identical results. There is a certain quality of constancy about digital photography that renders it a science.

But what is the true nature of digital photography? We have read the varied debates supporting science and art. There seems to be no solution to this question, right?

The true nature of digital photography will always are yet to be an ambiguity. This means that though it can be considered to be as an art, it can also be considered as a science.

When is the paradox of the nature of digital photography solved? Well, it is solved when an individual takes a digital picture.

The true nature of digital photography lies in the hands of the person that takes the footage. The way an individual treats the process outlines the character of digital photography for him. It is not absolutely art neither is it completely science. The true nature of digital photography is a paradox. It might seem to be contradictory, but it is somehow correct.




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